Always learning. Born, bred and still living on the most easterly point of Northern Ireland - the Ards Peninsula - 18 miles across the sea from Scotland. I do lots of things- design, music, talks, trying to be a husband and father. This blog isn't an example of great quality writing or research, it's just a scrapbook pointing towards content that's of interest. © the author; contact me for permissions
Adam Lynn (1866–1956) seems to me to be underrated as a writer, not just for his rich Ulster-Scots but for the world that it describes. His collection Random Rhymes Frae Cullybackey was published in 1911* and is online here. We filmed a segment about him for one of the Hame BBCNI episodes, but there was no room for it in the final edit.
In recent years much attention has been focussed upon the famous Irish language expression Erin Go Bragh being used prominently at a huge Unionist convention in 1892. Lynn uses the term as well, in his Ulster-Scots poem Ireland for Me on page 146.
This new movie is on limited release just now, having been acclaimed at the Edinburgh International Film Festival this year. It showed in Dublin in November, but hasn't yet come to a screen in Northern Ireland. Four star Guardian review here.
"there are many here of the reformed religion, who have a long while lived as sheep without a shepherd, though last year brought in a young man from Ireland, who hath already had good success in his work."
A few years ago I was honoured to create the naming and branding for what became Seamus Heaney HomePlace at Bellaghy. I was recently sent a copy of his 'Burns's Art Speech' which is thematically connected with - and in many ways a precursor to - the concepts he expressed in his magnificent A Birl With Burns poem. The speech was published within Robert Burns and Cultural Authority by Robert Crawford (1997).
The speech contains many glorious revelations, and an understanding of
Depending on your perspective, it will either be a source of reassurance or frustration to see that some of our present-day debates are nothing new. This cutting from the Derry Journal shows that the language and identity issues recur. The optimistic notion of seeing this place as one of intertwined traditions has in the past as much as the present been replaced with more barbed issues of legitimacy and perhaps even power.