'There my burdened soul found liberty - at Calvary' - William Reed Newell

This is an old hymn I’ve known forever, one that’s deeply embedded in small evangelical halls around the country. It’s a classic of the genre, its words written by William Reed Newell (1868–1956). So, having noticed the potential in his name, I started digging for his ancestry.

He was born in Savannah in Ashland County in Ohio, the son of David Ayers Newell and Elizabeth Reed Newell. William went to Princeton and became the assistant superintendent of the Moody Bible Institute in Chicago, and later the minister of a Presbyterian church in Leesburg, Florida where he died in 1956 aged 87. He also wrote a number of Bible commentaries. His son - the significantly-named David McCheyne Newell - died in 1986. As you can see here in David’s obituary it confirms that ‘his father’s family is of Scotch-Irish blood’.

Elizabeth’s brother, Congressman Joseph Rea Reed (1835-1925) was a figure of some repute as his Wikipedia entry explains; he was also a member of the Scotch-Irish Society of the USA (see page 296 here).

Scotch-Irish people don’t ‘own’ the gospel, but as with most other subjects it’s becoming increasingly clear that their influence in many walks of life has been vast.

Years I spent in vanity and pride,
Caring not my Lord was crucified,
Knowing not it was for me He died
On Calvary.
 
Chorus:
Mercy there was great, and grace was free;
Pardon there was multiplied to me;
There my burdened soul found liberty,
At Calvary.

By God’s Word at last my sin I learned;
Then I trembled at the Law I’d spurned,
Till my guilty soul imploring turned
To Calvary.

Now I’ve giv’n to Jesus everything,
Now I gladly own Him as my King,
Now my raptured soul can only sing
Of Calvary.

Oh, the love that drew salvation’s plan!
Oh, the grace that brought it down to man!
Oh, the mighty gulf that God did span
At Calvary!

 

And - so many of the old gospel songs of the late 1800s were written for ordinary folk to easily remember and sing along with - as 3 chord wonders, in 4/4 time - so it's dead easy do this kind of thing with them... Simple words, repeated choruses, and 'hooky' melodies that stick in your head for a lifetime.

They say that this kind of hymn started to appear in the 1850s. It's no wonder then that 100 years later in the 1950s when singers like Johnny Cash, Hank Williams, Patsy Cline and even Elvis Presley came along, who were all reared in the kind of churches where these 3 chord hymns had been sung for a century - that many of their own songs followed a similar format. Here's my brother and I having a bit of fun with it, and below that, a Mennonite choir.

Henry Thomson & Co - Old Irish Whisky, Newry, Ireland

This firm was a big brand in its day, seemingly advertising itself heavily in Scotland. Henry Thomson senior is a bit of an unknown; he died in 1859 and must have made a vast fortune from whisky. The distillery seems to have been on Trevor Hill in Newry. However his obituaries make no mention of this. He lived from 1797-1859 (see grave reference here), but the brand claimed an origin date of 1816, when Henry senior was just 19 years old. Perhaps a previous generation of Thomsons were also in the Newry drink trade.

Interestingly, just a few miles away, Dundalk County Museum has in its collection a buffalo skin coat, worn by William of Orange at the Boyne, which was owned by a Robert Thomson of Ravensdale, a large estate just a few miles south of Newry.

Henry's second son, also Henry Thomson (1840-1916), took over the business and in the 1880s became Unionist MP for Newry (Wikipedia here). During his lifetime the family owned an impressive number of properties - Scarvagh House (best known as the location for the annual ’Sham Fight’ on 13th July), Altnaveigh House, Downshire House and Ballyedmond House. They gave land for the building of Scarvagh Orange Hall (opened in 1908).

When Henry Thomson junior died in 1916, the local community set about establishing the Henry Thomson Memorial Orange Hall which was opened in June 1921. The opening event included a presentation of a portrait of Thomson and his Orange sash. A Royal Black Preceptory Henry Thomson Memorial RBP No 1000 was also established. To clear the debts from the building of the Hall, a two day bazaar was held in November 1923 which was opened by Lady Craig, the wife of Sir James Craig who had of course been involved in the Dunville’s Whisky empire. When you also consider the drinks empire of Lyle & Kinahan, and the Orange connections of the Kinahan family, an unexpected picture emerges of the spirits industry in Victorian Ulster in which, like many industries of the time, senior Unionists and Orangemen played a leading role. Presumably they were mostly ‘temperance’ people rather than ‘total abstinence’.

Thomson’s quality must have been good as they secured the ‘By Royal Appointment’ status, and supplied Parliament.

Henry Thomson & Co seem to have had a particularly energetic agent in Scotland - Robert Brown & Co of Glasgow. They even had a brand of Scotch, and a ‘Fine Old Demerara Rum’. Their advertising in the early 20th century is as strong as many of the big brands of that era. Some examples are below, a few of which are from ‘Burns Chronicle’ publications.

I am not clear on when the brand went into decline. The ‘Ulster Pavilion’ at the British Empire Exhibition in London in 1925 had an area devoted to promoting Ulster whiskies, but perhaps the Prohibition era in the USA from 1920-33 had an impact on the global market. A search of the British Newspaper Archive shows no adverts for the brand beyond 1929.

 • Some more Thomson items are online here at IrishPubCollections.com

Ulster 71 exhibition

Various Ulster-American figures featured here: