The first episode of the new three-part series of Hame was broadcast last night, on BBC2 NI. You can catch it on iPlayer here. The genesis of the idea for taking the fourth series of Hame across the water to Scotland was very much in the BC era, ie 'Before Covid', but the specific content and approach was all developed during those various 2020 lockdowns and restrictions, and filmed in September and October 2021.
At the very early stages of that process, I reminisced about my own visits to Scotland from childhood onwards, and in particular I revisited my old Art College era diaries and scrapbooks from a moment in 1991 when I very nearly moved to Scotland to study – this post is me capturing some of the memories and notes from then. Looking back, April and May 1991 were when my life crystallised.
• Belfast, September 1990
Art was my only significant A-level achievement, in an era when nobody took it seriously, and long before the term 'creative industry' appeared in our culture. I actually got the joint highest A level Art result in Northern Ireland in my year – thanks to the colossal support of my art teacher, Judy Parker, for her four years of nurturing whatever latent talent I had. I have a fancy certificate somewhere, and was invited to a fancy reception at Stormont one night, and also some other Saturday morning reception that I can only vaguely recall now. These high-falutin things have never really interested me, and I'm only saying them here for completeness of this story. And, at age 50, it's as relevant now as my Cycling Proficiency Certificate or my 25m swimming badge.
If the art thing didn't work out I was going to be a building site labourer on jobs with my dad for a while, which is what I did every summer anyway. I had an interview for a Foundation Year at the University of Ulster's Faculty of Art and Design at York Street in Belfast, in which one tutor was very positive about my portfolio of work and gave me his office phone number if I had any queries – but at the end of the interview the other one glowered at me and said "you'd better shine boy". So I got a place and did that course between September 1990 and June 1991. I did really well in that year, towards the end of which I applied for my subsequent three year degree in various colleges. I always knew I wanted to eventually get a job in a design practice or advertising agency in Belfast, but going away and being independent for a while was appealing. London was an option and I had a pre-interview lined up with Central St Martin's (I had to courier my portfolio there for them to review and shortlist from) but my accommodation option there fell through at the last minute, so I dropped it from the list of contenders and had my portfolio returned to me. My other options were colleges in Scotland, or to remain in Belfast.
• Glasgow, March 1991
The Glasgow School of Art interviews were held in early March 1991, and I headed across with another student from my year group, Eamonn. We spent a few days there and really enjoyed the historic School and the general Glasgow experience. The tutors there 'got us', they understood Belfastness, and in my interview they bantered with me that I looked a bit more normal in real life than in my passport photo (which was attached to my interview application form) which they said made me look like I'd just been released from Crumlin Road jail. Eamonn had friends in the city so we visited some well-known hostelries and eateries, such as the Horseshoe Bar and Sannino's, and were given flyer invites to an intriguingly titled "ceilidh/rave" and also to a 'Dance Classics Night' at a place called Tin Pan Alley. The American alternative rock band Jane's Addiction were playing at Barrowlands when we were in Glasgow (8th March), but we didn't go to see them. I had time to kill one afternoon, so I visited the famous stadiums of Ibrox and Parkhead (where I was given a private tour by a security guard). Glasgow was very plausible as a destination as my mum had cousins who were living in Rutherglen and, if I got offered a place, they were going to put me up in a spare room for a while until I got settled in the huge city.
• Dundee & Edinburgh, April 1991
The interviews for Dundee Duncan of Jordanstone College of Art & Design, and Edinburgh School of Art, were about 6 weeks later in late April. Around the time that I boarded the ferry to travel to those, the offer letter from Glasgow arrived. I couldn't believe it, as Glasgow was, and still is, one of the most renowned art colleges in Europe. I have joked a few times that, aged just 19, it was like being asked to sign for Real Madrid. Here it is – dated 18 April 1991 – but with only one week to accept the post "otherwise it will be offered to another applicant". So time was ticking, but during that very same week I was travelling across Scotland to two other art college interviews, in an era with just letters and landlines – no mobile phones, no email, no ability to communicate quickly.
From Stranraer I headed across Scotland by train towards Dundee. I met up with schoolfriends who were at St Andrews University, enjoyed a day & evening there with them (a tour of the town and the Cathedral grounds, a meal in the campus canteen, a Christian Union 'small group' meeting which I think took place in a flat overlooking the famous golf course, and then what I think was this Ken Russell horror movie at the town's famous small cinema). I slept on somebody's floor that night, and had an early start the next morning to get a bus across the Tay to Dundee. The interview in Dundee went really well, the college was great, and whilst I can't find the letter just now I remember that they did offer me a place. It's the city of my childhood cartoon strip heroes Desperate Dan and The Broons, and to be an aspiring illustrator/designer there was a pretty exciting prospect. A couple of days later and the same happened in Edinburgh - a positive interview and a place offered. Not sure which journey this bus ticket is from, but it's dated 24 April 1991.
So Scotland was looking really good, three very appealing options on the table, lots of positive reasons to go.
• Staying in Belfast
So, more than a little baffled by that, I left Edinburgh on the 15:26 from Waverley Station, via Glasgow Central and Ayr, to board the last ferry out of Stranraer at 21:45 on 25 April 1991. I landed back in Belfast just after midnight on Friday 26 April, which was the day that I needed to confirm with Glasgow, in writing, which required the near-impossible task of finding a fax machine somewhere near home. A week later on Friday 3 May 1991 I had a written offer from Belfast. So with all of this swirling around I decided to stay in Belfast, there just wasn't time to do anything else or to figure out what those "don't come here" remarks had all been about. They had seemingly derailed my hopes, but Scotland just wasn't meant to be. There were bigger plans than mine.
So I got stuck back in and completed the Foundation course in Belfast, got the grades I needed to start the degree course, and then headed off to France in July for a three week church team thing in Marseille – still in a bit of a daze from all the art college stuff, but now knowing that my next 3 years were committed to being in Belfast. On our way back home from Marseille we stopped in London and Windsor for a couple of days, and visited here:
• Things do work out
What I didn't know was that, hundreds of miles away in the south of England, pretty close to the Windsor we had stopped off at on our way home from France, a super-smart girl of Scottish and Ulster-Scots ancestry had decided to scrap the plan to follow her parents' footsteps to study at Oxford or Cambridge – but to take a year out to do charitable voluntary work in Africa and India, after which to pursue her craft skills via a Fine Craft Design degree at an art college. Lo and behold the best courses for that back in those days were at Glasgow School of Art and University of Ulster Belfast. She applied to them both and had an offer from both. She chose Belfast, and arrived in late September 1992.
I first spotted her at the annual beginning of term fire drill, on the morning of 30 September 1992, thanks to her red cardigan. Eventually we got to know each other, and we started spending time together in February & March 1993 (two years exactly after my ill-fated jaunt around Scotland).
Almost exactly five years later, on 26 September 1997, we were married – meaning that this year we'll be 25 years married, our 'silver' anniversary. Her mum spent her childhood at Comiston Drive in Edinburgh; her dad's ancestry is from Pitmilly just outside St Andrews, via Portaferry. Over the years we have spent a fair amount of time in Scotland, with our three now adult children. We have the red cardigan in a box frame on the wall at home.
I am certain we were destined to meet at an art college, whether in Glasgow or Belfast. Back in 1991 I would have really liked to spend three years in Scotland. But things work out as they are meant to.
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